Martial Simon | Lets Hear It For The Boy

By focusing on strong vocals and a catchy beat, his aim was to stay true to the original while making it blend into today’s music culture.

‘Let’s Hear It For The Boy’

Martial Simon’s music taste really drove the purpose of this song. He loves old records; but also, he is a huge fan of today’s music scene, and that was the vision for “Let’s Hear It for the Boy.” What developed is an energetic dance cover of the #1 billboard hit from 1984 (in the movie “Footloose”) that’s infused with 2021-style sound.

The song really has a kick to it and a funky bass line, plus a unique piano riff to capture that “feel good” element. The chorus is the focal point, so he stuttered and doubled her voice in an EDM tone by chopping and screwing the vocals with one shots and effects. Covers are all the rage right now, which he is thrilled about, and his goal is to make people dance and have some much-needed fun while staying true to the roots of the original anthem.

Who Is Martial Simon?

New York City producer and DJ Martial Simon is an elite spin-masters and music creator. He has a natural ear for rhythm, and by incorporating his unique style into his productions and DJ sets, he designs a sound all on its own. Martial plays a current remixed electronic style, incorporating the ever so popular classics, all of which keep the dance floor packed until dawn.

Actively working as a DJ over two decades, his popularity continues to soar. Pleasing any crowd can only be described as his proverbial sixth sense. As a producer, Martial Simon blends hip-hop with house, creating a g-house and deep bass house vibe. He maintains the unique ability to stay true to the roots of the dance floor by infusing classics with today’s electronic sounds.

It all started in 1993, when Martial Simon’s older brother took him to a rave. That night he knew he wanted to be a DJ and he was on his way! he supported himself all through college as a DJ. Then in 2006, He quit his job in television to pursue a fulltime DJ career and he never looked back. A few years later, he began SET Artist Management, where (pre-pandemic) they booked over 150 events a week in North America. He recently started GET SET Records to

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