Aspiring Songwriter “Carldereims” makes an inspiring comeback through Music Gateway
By Mary Woodcock on 12 Jul 2016
“…getting your music “out there” is so much more achievable, plus the budget technology available and desire – and not forgetting the ability to collaborate online – the future is looking awesome. For the music industry – I guess it better watch out!”
The level of awesomeness on our platform never ceases to amaze me, we recently caught up with the general in the music industry Carl Moses to talk about his career, where he feels the music industry is headed and his advice on the platform for aspiring artist professionals. It’s important to always remain a student in the music industry and adapt to what is working and our talk with Carl teaches us just that.
#1 Can you tell us a bit about yourself and your background?
I was born in Southampton in the 60’s and despite there being no musicians in the family – it was evident that music was a language that constantly brought our family together.
Bob Marley, The Jam, Kate Bush, Genesis, The Ruts, Simple Minds, Roxy Music, Joy Division, Very early Human League, John Foxx, Gary Numan, The Sex Pistols, Stranglers, Talking Heads, Dillinger, Kraftwerk & Wishbone Ash.
Deep Purple and just too many more bands and genres of music to discuss. Unless you have a week!
#2 How’re you enjoying the Music Gateway platform, have you noticed any recurring benefits so far?
By recurring benefits, I imagine you mean reasons as to why MG is beneficial to the aspiring songwriter, producer, lyricists and all artists and technicians in general? Then, yes, I have noticed many recurring benefits.
#3 You wear many hats in the industry, including being a songwriter, Dj and concert promoter. From your experience and in your opinion, what areas in the industry do you feel are striving more than others? Where do you think the industry is headed?
#4 What advice would you give to people who are looking to expand themselves as artists?
For the pros…just keep on pitching, what harm can it do? Eventually, you will win a pitch. Think about it. How much does it cost you? How much does it cost each month to pitch on any project you want? The price of a bunch of flowers for Mum! Unlike other online services (who for obvious reasons I can’t mention) that claims – for a fluctuating price – that it can potentially get your song placed, but expects you to “pay for every song submission”. I think “potentially” is the optimum word here.
Moreover, for anyone just starting out…never, ever, lose your love, desire and inspiration for music. Never feel daunted when it comes to creating music, whether that is in the form of singing, songwriting or composing. If you can try to learn an instrument – do it! Guitar, piano, even a recorder. You don’t have to become a virtuoso. With the right Youtube tutorial, you can learn four essential chords on the guitar or piano – in just one day! It’s all free. It all depends on your work ethic. You won’t believe how quickly you will gain confidence. Try to familiarize yourself with song arrangements and simple chord progressions. It’s all there at your feet on Youtube. Once you have the basic skillsets, that’s when the fun begins. Now you are equipped to but your heart and soul into your music. For me – this is where it all begins. Now, if by singing a song, composing the music, or by writing a song you begin to feel empowered – then you’re already a musician. Go for it!
#5 What are the main advantages for you with running projects through the Music Gateway platform as opposed to working with existing connections?
I think to find a suitable candidate to work with, for sure. That’s the main criteria for me when running a project. Simple. Like I said before, living abroad in France, has put me at a massive disadvantage because I write songs in English. Although I speak enough French daily to function – I have no desire to write in it. I am a Brit, and that can’t change, nor the language that I write and sing in. My existing connections would probably (and understandably) expect me to be present from the outset of a project. At MG I can respond to and run my own projects remotely without ever having to leave my house.
#6 You’ve done quite a few projects, are any of the results being released any time soon for people to check out?
That will depend entirely on the publisher. That’s their job because I am not an active performing artist with a following or record deal. I am just a non-performing songwriter and my job has been in writing the songs and demonstrating those songs. Hopefully, I will hear of various placements in the not too distant future. I know at some point my songs may be pitched to artists, but I guess we’ll just have to see what happens. Tim Smith (who partnered up with me at MG) has become the main producer I have been working with in order to finish a reasonably “mastered” product, in order to present to my prospective publishers. Fortunately, our collaboration has proved very successful, and I hope it continues to do so. Tim is really great to work with and has a great love of all things music; plus he has amazing turnaround speed. I have also been working with great artists from the UK, Italy, Germany, USA. It’s all good.
#7 What advice would you give to other members looking to utilise the site to aid their career/ stay proactive?
Music Gateway is a “must have “service for music makers everywhere. I mean, where else in 2016 can you find an online site dedicated to bringing like-minded musicians together, to collaborate on projects that might remain otherwise unfulfilled? Evidently, the forward-thinking MG platform is setting a new standard in its online user-interaction objective; and continues to successfully and innovatively bring together a plethora of musicians, technicians, singers and artist who just might be only one step away from fulfilling all their professional goals!