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How To
16.7.2018
Demo Submissions – Managing 3rd Party Submissions
Sending and receiving demos has long been a real pain in the back side, let’s be honest. It’s time consuming, especially if you are the one on the receiving...
How To
3.7.2018
Why Sync is Like Playing the Lottery & Being in it to Win it
I have been submitting my music for usage for sync opportunities for close to 35 years. During that time, I have been lucky to have had some of my music...
How To
13.6.2018
10 Tips for Creating a Music Brand Identity
If you want to make a career out of your music, creating a brand is one of the the most important things you can do. It’s never ‘just about the music’, and...
How To
11.6.2018
Why “Easy Clear” & “One Stop” matter if you want your music licensed
First of all, let’s explain some of the jargon words that you might find when reading anything about music clearance, so you don’t get tripped up when you...
How To
5.6.2018
Music in Play: Insider’s Knowledge – Contracting a Composer
With Vick Bain, chief executive of the British Academy of Songwriters, Composers and Authors (BASCA) calling for an end to ‘Pay to Play’ culture for...
How To
24.5.2018
Play with Music: Loopcloud 2.0 – Changing the Game for Producers & DJs
We wanted to recommend a product that will help all you producers and DJs out there – from the freshest amateurs who are still learning about DAWs to...
How To
10.5.2018
Insider’s knowledge – Score Recording
Led by music supervisor Maggie Rodford and Emmy-nominated score coordinator Hilary Skewes, this session guided us through the ins and outs of recording the...
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