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Leroy Miller’s New Album Boosts Blues Into The Spotlight Once Again

Photograph of the blog post author, Mary Woodcock

Mary Woodcock

26.11.2013

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Album Review: Temple by Leroy Miller

Leroy Miller’s latest release, “Temple” is this year’s album to get every guitarist’s fingers itching for the fretboard and hearts yearning for their strings in their moments apart. I’m not too afraid to say it may even make all those who dreamt of playing but never got around to it cringe in dismay from hearing how they may have sounded.

Stevie Ray, Walter Trout, Hendrix and the Kings (B.B and Albert) are all heralded in this collection of songs with Leroy’s very own twist. Now Mr. Miller is more than just a dab hand in guitar but I have to say, the man has got it down! He may not be a shredding superman on the fretboard but he is a master of melody and mood and if it wasn’t for the raw, soulful and undeniable “drop to your knees and call to the sky” mood of the Blues, what else would it hold?

He deals in precision and tone and any enthusiast can easily find their desired shade or tone within. What do I mean? Well, the Blues is not just a genre but a lifestyle and with any life, one has different turns. In some ways, “Temple” is a story of these turns, from the upbeat major shuffle to the wail of bends in the minor half time reverie. Vocally, Leroy’s natural bow of tone holds its own amongst such seemingly effortless six string efficiency. At the bass of his voice he holds the growl that the greats who evolved the game held, the burning flame that pushes the soul in the song beyond the stereo speakers and into the hearts of the listener resulting in the feeling of “bringin’ it home” at the Coda of each phrase.

This accompanied by his usual wit and lyrical phrasing makes the entirety of what’s actually being said almost impossible to ignore yet thoroughly enjoyable. The general instrumentation is seemingly minimal but perfection to the cause for being so. A few backing vocals here and there, keys, bass and drums but that’s about it, which (though mastered beautifully) once more displays the raw feeling that the legacy of the Blues has portrayed throughout the years.

Overall, I haven’t heard such truth in the Blues conveyed in a recording for a long time. Hearing it again is like meeting with an old friend. Even more importantly though, yes, there are similarities to previous artists but there is so much originality that fills the space between the respectful salutes. So, hats off to the artist, sit down, press play and rediscover why the Blues will forever be one of the most inspiring and influential genres in music with Leroy Miller.

The Blues may be nothing but a great man feelin’ bad… But Hell, it’s never sounded so good!

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