Passionate about what music can do to the emotive result of your visual project for your audience.

Our music supervision & composition agency

Our services

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A global company providing a number of services across licensing and music supervision for TV, Film, Advertising & Games.

As well as representing a number of experienced Music Supervisors from the UK & US for full music project management, our in-house team are also able to provide services for productions globally, including those whose budgets may not be suitable for a full music supervisor role.

  • Full Music Project Management
  • Conceptualization, Planning and Budget
  • Music Spotting Sessions
  • Composer Selection and Hiring
  • Sourcing Music for Spots
  • Negotiating Licence Fees
  • Sourcing & Clearance of Rights
  • Music Cue Sheets
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Music supervisors
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Martin Hewett
(United Kingdom)

Advertising, Games, Trailers

Martin has over 20 years of experience in music and licensing, and spent over a decade leading the Music Supervision team at Sony Playstation. He has licensed music from Adele for SingStar, commissioned exclusive remixes by bands such as Kraftwerk for WipeOut, and led the music style and tone for games such as LittleBigPlanet and Gran Turismo. He also went on to win multiple British Academy Games Awards and also receive many nominations for his work on SingStar and LittleBigPlanet.

Mike Turner
(United States)

Film, Television, Advertising

Mike Turner is an award winning Music Supervisor and Music Editor for film, television and advertising. His services have been engaged for films by Judd Apatow, Michael De Luca, Ice T, Bret Easton Ellis, Paul Schrader, Nick Cassavetes and Ondi Timoner as well as commercial spots for Converse, Booking.com, Petco, Estee Lauder, Rise Credit, Microsoft and Acer Computers.

In the world of television, Mike has music supervised series for CBS, Netflix, MTV Networks, Direct TV, Hulu, Fox Sportst and VICELAND/A&E.

Mike has been delivering soundtracks that meet creative & legal demands whilst being within budget and on time for the last 10 years.

Derek Lefholz
(United States)

TV, Film & Commercial

With a deep-rooted career across multiple facets of the music industry, there's no safer place for the musical needs of your project than Derek's. A member of the Recording Academy, Derek Lefholz, is a Licensing Guru, Music Supervisor and Label Owner.
Having supervised on a number of films, Derek has also aided thousands of musicians, artists and bands with agreements, licensing and copyright issues in retail and media global markets.
However, his real specialty takes him into the commercial world. From the beginning days of social media on MySpace and Apple’s first social app iLike, Derek has been involved with coding and integrating music businesses into the ever-changing technology landscape. He is credited with numerous website builds and development projects where he has been instrumental in bringing independent music behemoths to global relevance on the world wide web.

Martin Hewett

Mike Turner

Derek Lefholz

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Let's chat

Get in touch with our in-house team today to discuss your needs and discuss what team would be best to make your audio a success.

What is Music Supervision?

Our friends at the Guild of Music Supervisors describe the craft of Music Supervision as the following; A professional music supervisor is employed to oversee various aspects of music related elements of a project or production, such as film, television, gaming, advertising, trailers, interactive media or theatre.

Their responsibilities include but are not limited to; coming up with and developing creative ideas to enhance the visual media; collaborating with directors / producers / editors / music editors / executive producers / writers etc; negotiating and securing all legal rights of the music, prior to it being used; managing all financial aspects and budgets of the music line; delivering to deadlines; managing and coordinating music related talent including composers and on-camera performances; assisting in the composer selection process, negotiating composer agreements on behalf of production, communicating with, and keeping the composer updated on source related matters and assisting in the process through to scoring and mixing; finalising of all paperwork for delivery including cue sheets, musician / singer agreements and fully executed music licences.

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