These days, the vast majority of recording and music production is done using computers. And why not?
Despite a growing consensus that analogue yields a more natural, authentic, and somewhat magical tone; It’s undeniable that the digital world has brought with it a wealth of benefits that means that artists can literally craft hits in their bedrooms with a laptop, an interface and a microphone.
But once you have your laptop, your microphone and your interface, you have an important decision to make. Which DAW will you use? Let’s have a look at what a DAW is, Ableton vs Logic, what they do and which is the best!
Your Digital Audio Workstation is basically your recording software and will be the canvas for your creations. It’s incredibly important to understand the kind of DAW that might suit you best and help you realise the sounds in your head.
In this article, I’ll compare two of the big hitters and industry standards in the DAW game. Apple’s Logic Pro vs Ableton Live. There are a number of different variations of Ableton DAWs so for the avoidance of doubt I am using Ableton Live 10 Lite. Although you can also see a review of Ableton Live 10 Standard on our blog.
There are two different versions of Ableton: Live and Push. Both come in different degrees called Intro, Standard and Suite. It’s worth heading to their website to get a sense of what is available in each version. In terms of hardware, I use an iMac and my interface is a Focusrite 18i20 rack unit.
Ableton is generally known for its flexibility and application in a live context. Whereas Logic Pro X is positioned more as a studio engine alternative to Pro-Tools.
That said, Ableton are keen to emphasise that their product can be used effectively the studio as well as live. So let’s see how they compare and which comes out as the best DAW!
Opening any new software can be a daunting experience. When it comes to something as complex as a DAW, it is a totally new world! In Ableton, the first thing to highlight is the Info View, in the bottom left-hand corner of the window.
This helpfully explains whatever your mouse happens to be hovering over.
Logic has a similar feature where you can click the Quick Help button and anything you hover over will also have a definition pop up.
When it comes to layout, both Logic and Ableton are built on similar foundations, but with a few key differences.
In both, your library can be found on the left-hand pane. This is where you will find your MIDI Voices and, in the case of Ableton, your samples, loops, etc.
For Logic, these things can be found on the right-hand side but are hidden in the default view so you need to click the Loop or Files button in the top right-hand corner to make the appropriate right-hand pane appear.
The central pane is the main workspace, and both softwares follow the same principle of displaying audio as blocks that can then be arranged in sequence.
Both also with a ‘Playhead’ (a vertical line running down the screen) that moves from left to right as the track is played. The normal Play, Stop, Record buttons and BPM and other project info are along the top of the window.
Ableton has two options when it comes to the view in the main window – Arrangement and Session. By toggling the two little icons represented by 3 lines in the top right-hand corner (or by pressing the Tab key on the keyboard if you like your shortcuts), you can choose which view you’d like:
– Arrangement displays the familiar blocks of audio arranged horizontally.
– The session shows you what I’d call a mixer view where you can view and adjust your levels, panning, plugins, etc. In the very bottom pane, you have your plugin and audio configurations.
By contrast, in Logic, the horizontal audio sequence display is always in the central pane and the mixer is viewed in the bottom pane. This bottom pane can be toggled between Ab
– Editor (where you can view the audio wave and make more granular changes/key in MIDI information)
– Smart Controls (bass, mid, treble, LFO, etc.) for editing the patch output.
For me, Logic has a much clearer layout in that you always have the horizontal sequencer view as your main window. This clearly shows where you are in a recording, what’s been and what’s coming up. You can then choose to view the mixer or audio editor as you work. (Or neither if you’d rather view the whole recording as a sequence).
Instead of having to close that main view to be able to view the mixer which seems pretty counter-intuitive to me.
I also find the graphic layout of Ableton to be much less pleasing on the eye. What really matters is the audio results but I do think that when you are staring at a screen for hours and hours in a project, then it certainly helps if the text is clear and easy to use.
In Logic, you can even add little graphics to your tracks so you can see what they are quickly and easily.
With Ableton, you have to wrap your head around the Arrangement vs Session view and how they each behave. One great thing about the Session view is that you can set it up that you can key in your notes.
Whatever notes you key in will automatically be repeated in the same way as a loop pedal might work. Live Performance is really where Ableton comes into its own and this automatic Loop can be a really powerful tool.
I can also see the practical application of this from a songwriting point of view. A few clicks can set you up with a drumbeat for as long as you need.
To set this up, you drag the MIDI sound you’d like from the Library onto your track in the sessions view. You can also drag effects such as delay and other voices onto the track.
By double-clicking, you bring up a keyboard in the bottom window that allows you to pencil in notes as you go. Ableton will automatically look when you hit the play button at the top of the track.
One thing I like here is that the effects and sound parameters are laid out for you at the bottom. This means you can see in one glance the different things you have going on.
Logic (Pro X) is not specifically designed for live performance (if that’s your bag, then I’d recommend checking out MainStage 3!) You can loop, of course, but you need to specify what regions you’d like to loop. That makes it a bit more manual and it wouldn’t fit a live context.
For adding effects, I think the Logic method makes more sense. With the Mixer window at the bottom, you can literally choose from hundreds of different effects and then tweak them.
What I really like about this is that it clearly lists the effects you have on each track. Plus you can open up the individual effects windows to change the parameters with multiple windows easily workable if you want to see how effects play off each other.
Actually editing the audio is a lot easier in Logic (Pro X). By just double-clicking on an audio file, you open the editor window where you can cut, fade, slow down and pretty much anything else you can think of.
This even goes down to editing individual waveforms. In Ableton, editing with this level of granularity is much more difficult.
One area where Ableton really shows its worth is in making beats. Logic is perfect for songwriters in that it has digital “Drummers” who can provide a natural feeling drum beat for you to play along to.
Logic can even provide a click track based on your input from you playing an instrument, even if you push and pull the tempo. And of course, you can design your own beats using MIDI.
It is, however, quite a granular process – digging into the MIDI voice with a Pencil tool and indicating exactly where you want your beats to land.
With Ableton, there are a ton of pre-populated individual drum hits, cymbal smashes and shuffles for you to drop into any order you please to create something unique. And the easy snap feature means that you can very easily drag and drop beats around to really build your track.
Again, the automatic loop becomes a really useful feature in this process.
One limitation specifically of Ableton Live Lite is that you are limited to 8 MIDI or Audio tracks. So if you need to create more complex masterpieces, you will probably need to look at upgrading, which also unlocks a wider array of other features and plugins.
The key to any DAW is plugins! Your Plugins are effects that you can add to your tracks to manipulate the audio. From delay and reverb to compression, distortion, EQ, Phaser, Chorus, Flanger, and more.
These are really what transforms your raw audio into something that sounds palatable.
One of Logic’s main selling points is the number of plugins that come with it as standard. There are literally hundreds of native Plug-Ins and of course, you can buy more (VST plugins).
Ableton also comes with a really good number of plugins. It doesn’t have quite as many as Logic, but certainly, enough to get playing with and make some interesting sounds.
Both software has some nice presets to their plugins if you’re not 100% sure about what you’re doing. For me, the way Logic presents its presets is much easier. You open up the plugin in question and choose from a dropdown menu.
Whereas with Ableton, you need to select from a library and then drag the preset onto your track. This is fine, but with Logic, the route back to where you started is clearly visible with a “Recall Default” option. Which is always present.
Whereas with Ableton, you have to manually switch the effect off or press the “Hot Swap Preset” icon and then choose another from a separate list in the library rather than having it all in one place.
Mixing in Logic (Pro X) is a dream. You can either run your mixer as the window beneath your main project view or have it as a separate window entirely. This is particularly nice if you have a second screen. That way, you can mix while also maintaining an overview of what is coming up.
In turn, giving you the ability to see how that will affect your mixing decisions. Creating new buses is really straightforward and the layout of the mixer is very familiar. But it also has the added benefit of easily and clearly displaying the plugins on each track.
In Ableton, it feels a little awkward mixing without an overview of the whole project and what’s coming up.
However, this is very much a luxury of the digital world and something that is not present in analogue systems. It may be that Ableton decided to make these views interchangeable rather than visible in parallel based on this principle.
One great thing about Ableton is that Lite versions of the software usually come free of charge with certain hardware. Focusrite and Novation products often include a license for Ableton Live Lite.
So it can be a really great software to get started with if you are purchasing MIDI keyboards or audio interfaces.
Ableton can be used on Mac or PC and comes in two main versions – Live or Push. Then there are also 3 different editions of each called Intro, Standard and Suite. For Live, the Intro license is £69, Standard is £319 and Suite is £539.
Push (based on Live but with better hardware integration so you can use more in the way of hardware controllers) is pricier still. With Intro coming in at £599, Standard at £848 and Suite at £1048.
Logic Pro X is only available for Mac and can be downloaded from the App Store for £199.99.
For me, Logic Pro X is the clear winner and best DAW between the two, regardless of genre. It is beautifully laid out, powerful, and sounds great. It really is a professional-grade DAW that makes creativity easy and fun.
Furthermore, if you’re just starting out, Garageband is included free with any Mac and learning to use that as a precursor will make Logic feel like a really easy step up when you come to invest in the DAW. It seems quite obvious to me that Logic Pro X is the best DAW for Mac; Even if you don’t agree with me that it’s the best DAW overall.
Ableton does have some nice features, however! And the fact that it comes free with certain hardware and is also available on PC means that if budget is a real factor, you can get started for a little less financial outlay. However, I feel this is a little bit of a false economy given the limitations of the lower editions of the software.
In my opinion, the complexity of the pricing model is bordering on the ridiculous. Especially when compared to Apple’s easy one-price-for-everything approach.
If you are a total beginner, I’d recommend starting with Garageband before moving on to Logic Pro X. When it comes to Live verses the Studio – Ableton is better than Logic. But I would argue that MainStage 3 is better than Ableton.
Well, there you go! Now you have the answer and you know the pros and cons of Ableton Live vs Logic Pro X! Let us know if you agree with us, and if not – why!
If you’re a producer, make sure to join our global community! Find people to collaborate with, make money from your music and more. Start a 14-day free trial, no strings attached. You can cancel at any time and we don’t ask for your card details.
If you’re an artist and this is all just a bit too much for you, why not use our global community to find a producer to collaborate with?